Yury Revich Exclusive Interview

You come from a great musical family. Do you think your life path was already written, or was there a chance you could have chosen a different profession?

I come from four generations of violinists – my family has been playing the violin since the 19th century! It's both exciting and a great responsibility. I grew up surrounded by music, books, painting, nature, and hard work – practicing for hours every day since the age of five. When I was five, my father gave me a little violin to try. We quickly realized I had a good ear and could pick up melodies quite fast, both on the piano and violin. That's when I began learning the violin professionally.

Which career highlight as a Stradivari violinist and composer do you cherish the most, and which recognition – being quoted in The Strad, named the "New Paganini" or "New World Star of the Violin," or winning numerous international prizes – meant the most to you?

So many wonderful memories and special moments! I try to make each concert and project meaningful. I'm truly grateful for the opportunities I've had and the awards I've received. Starting my own music and multidisciplinary festival at 25 was a major challenge and, looking back, a significant milestone. Other highlights include performing Paganini's Violin Concerto for the first time when I was 11, and composing my first symphony and violin concerto.

How would you advise musicians to practice and improve their musical memory or overcome stage fright? Do you have a specific mental preparation routine before concerts? How do you maintain both physical and mental fitness?

Stage fright happens to almost everyone at some point. Breathing exercises, relaxation techniques, and simply accepting the nerves as part of the experience can really help. It's important to listen to your inner self and remind yourself that you are enough, just as you are. And don't forget: the audience is there because they want to enjoy the evening. They're not there to judge.

You perform in various settings – solo, with a pianist, and with orchestras. What gives you the most satisfaction, and what is the biggest challenge?

I love playing with musicians who are truly inspired by music and life – who connect deeply with what they’re playing. I’m not inspired by empty routines or playing notes without feeling. So whatever the setting, as long as there’s real emotion and meaning – I’m in.

Can you recommend one hidden classical gem for our audience?

Listen to my first album Russian Soul, which I recorded when I was 19. It includes some beautiful, rarely played short pieces I think everyone will enjoy.

Do you have anything to add for our audience?

Peace and Love!